This is one of my favourite photos of our month-long production of Caught by my new amazing friend, Jon Cancio - check him at his photography website here. I think it really captured the essence of the show - very layered, not what it seems and more than it meets the eye. The whole month of Caught was kind of a whirlwind to be honest and this is my very first time (and hopefully not the last) doing such a long production where there was a show everyday (except 1 weekday) and

2018 has been a thought-provoking year for me as a theatre practitioner. This year, I was part of the performance making track of a wonderful programme called Points of View. That really opened up a lot of critical questions - questions we need to ask ourselves but may not necessarily had time to sit down to think about - i.e. What are the keywords that you feel for in your glossary as an artist? What are questions that you will evade as a performance maker? What is the gift

Earlier this month, Paul Adams of Singapore Repertory Theatre kindly extended an invitation to me (and other theatre freelancers) to attend a Professional Shakespeare Training workshop with Simon Purse which explores the principles behind the work of Patrick Tucker's Original Shakespeare Company. What was a supposed 3-day workshop had been tightly squeezed into a 3-hour workshop that explored the First Folio text and experience unrehearsed Cue Script performances. To be hones

At the start of 2017, I told myself to (try) keep a list of theatre/live performances that I have attended so I could review it at the end of the year. I predicted that I would watch at least 50 performances and I was right!!! This is pretty much where most of my money went. 1. Si Ti Kay by AKULAH BIMBO SAKTI 2. Actor 四十 by The Necessary Stage 3. Chicago the Musical 4. Guns N' Roses Concert 5. The Pillowman by Pangdemonium 6. PRISM by Toy Factory Productions 7. Fundamentally